摘要
Pio Colonnello’s book offers a speculative reading of the figures of synaesthesia and anamorphosis.It expands them beyond their,respectively,rhetorical and figurative context.The book brings together J.L.Borges,de Certeau,Montale,Jaspers,and Husserl,among others,in order to uncover a dimension of language,which goes beyond the objective representation of reality.This dimension of language embodies a performative gesture,which reshapes its“object”by referring it in an analogical-simultaneously synaesthetic and anamorphic way-to the weaving of other sensory spheres,fields,and images,so as to open up the ecstatic and corporeal dimension of the human experience.
