摘要
萨拉扎克在对现代戏剧特征的描述中认为:斯丛狄承袭自布莱希特的"叙事化"概念不足取,宜用巴赫金的"小说化"取代之。然而,还原两概念在斯丛狄和巴赫金处的含义可发现它们的一致性:两者均指现代戏剧呈现出主(叙述者)客(叙述内容)对立的"叙事性基本结构","原生"、闭合、自足,也即"绝对"的drame在这个结构中成为受主体(叙述者)规定和支配的客体(叙述内容)。两概念具有高度凝练的概括力,于现代戏剧形形色色的创新中辨识出了共同的演变模式。
In his description of the characteristics of modern theatre,Jean-Pierre Sarrazac thinks that Peter Szondi’s concept of"epicization"is not enough,and he replaces it with Bakhtin’s concept of"novelization".However,restoring the meaning of the two concepts,we can find their similarity:both indicate the"basic narrative structure"in the modern theatre,and the"primary",closed and self-sufficient drama becomes the object(narrative content)regulated and controlled by a subject(narrator).The two concepts,highly concise and summative,reveal a common mode among various innovations in modern and contemporary theatre.
作者
赵英晖
Zhao Yinghui(College of Foreign Languages and Literature,Fudan University,Shanghai,China,200433)
出处
《当代外国文学》
CSSCI
北大核心
2021年第3期139-146,共8页
Contemporary Foreign Literature
基金
国家社科基金重大项目“当代欧美戏剧研究”(19ZD10)阶段性成果。
