摘要
案例研究基于重庆市荣昌区安福镇垭口村的本地陶工刘吉芬师傅七十年的生活经历,作者借刘吉芬的个体命运反映出社会变迁下许多中国西南地区陶工一身技却长期处于社会边缘的状态的现状。为陶工建立档案本就是对他们的社会认同。陶工的命运会随着社会的变化而变化,但他们身上有些一直都存在并且从未改变的东西值得被关注。本文将通过真实的刘吉芬个人经历的梳理,陶工刘吉芬二十世纪五十年代出生于荣昌区到七十年代争取到机会去贵州习水县制陶厂当副厂长,再到九十年代举家迁回到荣昌,六十几岁被评为非遗传承人。刘非凡的人生经历,折射出民间艺人的生命力。刘的经历也是对社会生产的贡献与制作技艺的传承延续。如何避免让民间艺人被边缘化,如何让陶工的身份回归是我们值得思考的问题。
Craftsman in the southwest of China,are on the margin of society over a long a long period of time under the social change.This case study is based on the local pottery craftsman Liu Jifen’s life experience who lived in YaKou village AnFu town RongChang District ChongQing city,the author use Liu Jifen’s individual destiny to reflect the fact that many talented craft establish archives of craftsman is a social acknowledgement.The destiny of craftsman changes with society change,but there are somethings that are always there and never change worthy of attention.This paper demonstrates personal real experience of Liu Jifen.Liu Jifen was born in1950s in Rongchang District.Then he seized the opportunity to be a deputy director of pottery factory in Xishui town Guizhou Province.After the whole family movement back to Rongchang District in 1990s,he was selected as inheritor of intangible cultural heritage in his sixties.Liu’s incredible life experience reflects the vitality of folk artists.Liu’s life experience is also a contribution to social production and inheritance of manufacturing skills.It’s a problem worth thinking about that how to avoid folk artists being marginalized and how to return the identity of potter.
作者
马卓
尧波
Ma Zhuo;Yao Bo(Sichuan Academy of fine arts,Chongqing,400000)
出处
《陶瓷研究》
2021年第4期40-42,共3页
Ceramic Studies
基金
2018年重庆市研究生教育教学改革研究项目《基于非遗技艺“在地设计”的应用型专业学位硕士研究生培养体系与构建》(项目编号:yig183110)
2019年校级研究生科研创新项目《非遗技艺传承与创新路径研究--以荣昌陶为例》(项目编号:kyex202066)。
关键词
陶工
刘吉芬
在地设计
pottery craftsman
Liu Jifen
local design
