摘要
著作权主体制度应坚持创作者作为主体与投资者作为主体的二元结构。基于创作者主体声誉积累的诉求,应在任何情形下都保留其署名权;基于投资者主体对作品或邻接权客体的利用诉求,应做无障碍利用的权利配置安排。2020年修正之后《著作权法》主体及其权利配置制度依然需要在今后的修改中予以调整:所有投资者参与创作的作品情形,允许相关主体对著作权的归属进行约定;将职务作品制度与法人作品制度合一,删除职务作品制度;在没有约定的情况下,将法人作品著作权配置给法人,委托作品著作权配置给委托人,视听作品所有类型的著作权都配置给投资者。但在这些情形中,均应规定保留创作者的署名权,要求修改者应表明修改者身份,并要求著作权人对作品的利用不得损害创作者声誉。
The system of the subject in the copyright law should adhere to the dual structure of creator as the subject and investor as the subject.Based on the appeal of reputation accumulation,the author should retain his right of authorship in any case;based on the investor's demand for the use of the works or the object of the neighboring rights,the rights allocation should be made for barrier-free use.After the revision of China's Copyright Act in 2020,the systems of the subject and its rights allocation system still need to be adjusted in the future revision:to integrate the system of works for hire with the system of legal persons'works and delete the system of works for hire;In the case of all works created with the participation of investors,relevant subjects are allowed to agree on the ownership of copyright;In the absence of an agreement,copyright in the legal person’s work should be allocated to the legal person,the copyright in the commissioned work should be allocated to the principal;copyright in all types of audiovisual works should be allocated to investors.However,in all these cases above,it should be stipulated that the authorship right of the creator should be retained,the modifier should indicate the identity of the modifier,and the copyright owner's use of the work should not damage the reputation of the creator.
出处
《知识产权》
CSSCI
北大核心
2021年第8期75-85,共11页
Intellectual Property
关键词
著作权法
作者
邻接权
职务作品
法人作品
委托作品
视听作品
Copyright Law
author
neighboring right
works made for hire
legal persons'works
commissioned works
audiovisual works
