摘要
景德镇御窑博物馆是朱锫建筑历程的代表作,也是他对"自然建筑"的一次尝试。在建筑师通往自然建筑的道路上,文章试从"自然"的反面——场地、空间、语言、材料、建造、工艺等方面对御窑博物馆进行分析,旨在呈现建筑师在追求自然过程中凸显出的个人价值,从而回应朱锫近年的设计实践倡导的自然建筑。
The Imperial Kiln Museum can be considered as a masterpiece in Zhu Pei’s architectural career,which also serves as a "worship" to the "natural architecture" by the architect.Drawing on the architect’s path to natural architecture,the author tries to analyze the Imperial Kiln Museum from the opposites of the "nature" —site,space,language,materials,construction and craftmanship,in order to show the architect’s pursuit of natural processes in response to the "natural architecture" advocated by Zhu Pei’s design practice in recent years.
出处
《时代建筑》
2021年第1期88-99,共12页
Time + Architecture
关键词
御窑博物馆
自然场地
空间语言
材料
建造工艺
Imperial Kiln Museum
Natural and Spontaneous Place
Space Language
Material
Construction Te
