摘要
电影《建党伟业》中有不少与辫子有关的情节与意象,这些情节与意象从1911年毛泽东理发延续到1920年辜鸿铭离开北大,贯通于《建党伟业》所叙历史。《建党伟业》中的“辫子”意象既是满清兴亡的标志,也是新旧体制与文化更替之象征。《建党伟业》中的“辫子”意象在材料取舍、线索拟建、人物塑造等方面发挥了重要作用,制作者们运用特定的影像技术,让“辫子”意象与其它类似的意象一起来实现既定的叙事目标。对这样的意象进行深入的分析,有助于理解电影中的人物、事件与电影创作的原初意旨,也提醒观众对待传统与历史应有相对宽松与辩证的态度。
There are many plots and images related to braids in the film Beginning of the Great Revival,which ran through the history described in the film from Mao Zedong’s haircut in 1911 to Gu Hongming’s departure from Peking University in 1920.The“braid”image in Beginning of the Great Revival is not only a symbol of the rise and fall of Qing Dynasty,but also a symbol of the replacement of old and new systems and cultures.The“braid”image in Beginning of the Great Revival played an important role in material selection,clue construction,characterization and so on.The producers use specific imaging technology to make“braid”image and other similar images achieve the set narrative goal.An in-depth analysis of such images is helpful to understand the characters,events and the original intention of film creation,and also reminds the audience that they should have a relatively loose and dialectical attitude towards tradition and history.
作者
刘伟生
胡若渲
LIU Weisheng;HU Ruoxuan(College of Literature and Journalism,Hunan University of Technology,Zhuzhou Hunan 412007,China)
出处
《湖南工业大学学报（社会科学版）》
2020年第5期63-71,共9页
Journal of Hunan University of Technology(Social Science Edition)
基金
湖南文化创意产业研究中心课题“电影湖湘形象研究”(2019hnwc05)。
关键词
《建党伟业》
“辫子”意象
文化含蕴
影像叙事
Beginning of the Great Revival
image of“braids”
cultural implications
image narration
