摘要
受启发于弗洛伊德精神分析学和雅克·拉康的“镜像阶段论”,本文在超越社会结构性与个体能动性二元对立的中观层面,阐述了在当代“美国中心主义”的意识形态包裹中,影视艺术作用于“深层集体心理”从而形成突围的现象。基于“美国中心主义”意识形态形成的“破镜”亚文化氛围,本文着重论述了“破镜”意识形态哲学、心理学本源以及当代影视艺术突破“破镜”亚文化桎梏的文化姿态,阐明影视艺术如何在意识形态“镣铐”下舞蹈,绽放顽强的生命哲学力量。
Enlightened by Freudian psychoanalysis and Lacanian theory of mirror stage theory,this paper,transcending the dichotomy of social structure and individual dynamism,elaborates on how movie and television work on the deep collective psychology in the ideological envelope of contemporary Americentrism and form the breakthrough phenomenon.In the broken-mirror subculture formed under Americentrist ideology,the study focuses on the philosophical and psychological origins of the broken-mirror ideology as well as the cultural stance of contemporary movie and television art in breaking through the fence of the broken-mirror subculture.Furthermore,efforts will be made to illustrate how movie and television art can dance with the bondage of ideology and thus blooms its tenacious power of life philosophy.
作者
战迪
李忆农
Zhan Di;Li Yinong
出处
《文学与文化》
2020年第3期42-52,共11页
Literature and Culture Studies
基金
国家社科基金一般项目“新世纪以来中国电影对国家形象的建构研究”(项目编号:17BZW166)阶段性成果。
关键词
美国中心主义
影视艺术
破镜亚文化
破镜意识形态
Americentrism
Movie and Television Art
Broken-Mirror Subculture
Broken-Mirror Ideology
