摘要
本文对河南地方戏中“西厢戏”剧目与演出情况进行简要介绍。并以阎立品《西厢记》和陈宪章《拷红》为研究中心,对比阎立品《西厢记》与原著中心人物的异同,分析剧情结尾的匠心独运;对比陈宪章《拷红》与原著人物形象的异同,分析由人物和情节变动所导致的题旨变动,从而总结出河南地方戏中“西厢戏”正是通过不断地改编,延长了原著的艺术生命。
This paper first introduces the repertoire and performance of“The West Chamber”in Henan local opera.And it contrasts the change of Yan Li-pin’s“The West Chamber”and the original center figure,and analyzes the similarities and differences between Chen Xianzhang’s“Torture Matchmaker”and the original characters,analysis of the characters and the plot caused by the subject change,which summed up the local opera in Henan“West Wing”features.
作者
王睿
WANG Rui(College of Literature and History,Nanyang Normal University,Nanyang Henan 473000,China)
出处
《湖北开放职业学院学报》
2020年第15期191-194,共4页
Journal of Hubei Open Vocational College
关键词
西厢记
河南地方戏
改编
“The West Chamber”
Henan local opera
adaptation
