摘要
阿多诺与奥康诺在文化工业语境中的艺术之思,以艺术本体的认知问题为起点,以艺术与工业的关系问题为焦点。二者对于艺术走向工业的不同立场,反映了艺术与社会生产方式发展之间的冲突与调适,展示了不同时间维度上艺术价值的时代变迁。艺术的审美价值和功利价值从传统的分离、对立,走向当今的牵手、结缘,是艺术经历高度自觉后再次向现实的回归,是艺术发展的一次螺旋式上升。产业化的艺术如何呈现自己,将是艺术审美价值面临的挑战,也是当代艺术发展悬置着的难题。
The artistic thinking of Adorno and O’Connor in the context of cultural industry,starting from the cognitive issue of artistic noumenon,focuses on the relationship between art and industry.Their different positions on art towards industry reflect the conflicts and adjustments between the development of art and the social mode of production,showing the changes of the time of artistic value in different time dimensions.The aesthetic value and utilitarian value of art,traditionally separated and opposing,are now hand in hand,showing that art,after experiencing a high degree of self-consciousness,has returned to reality.This is a spiral rise in the development of art.Self-presentation of the industrialized art will be a challenge to the aesthetic value of art and a pending problem in the development of contemporary art.
作者
何玉艳
HE Yuyan(Media School,Guangxi University for Nationalities,Nanning,Guangxi 530006,China)
出处
《岭南师范学院学报》
2020年第4期77-84,共8页
Journal of Lingnan Normal University
关键词
阿多诺
奥康诺
文化产业
art
cultural industry
aesthetic value
utility value
