摘要
陶瓷绘画上的留白,从我们对陶瓷绘画上理解解释,就是指在陶瓷绘画上根据瓷器器型体现的画面构图和需要表达某种意境而留出适当的空白部分,在中国陶瓷绘画实际应用中,体现的是一种画面的构图和布局运用。陶瓷绘画中的留白很大程度上的借用中国画中留白的艺术理念,从某种器型直接带来的造型美中适当的留出体现器物本身质感能更大程度的体现更多的美感,从而有所发展。
the ceramic painting of the white space,from our understanding of the ceramic painting,is that in the ceramic painting according to the composition of the picture and the need to express a certain artistic conception and leave an appropriate blank part,in the actual application of Chinese ceramic painting,reflects a kind of picture composition and layout application.The blank space in ceramic painting is borrowed from the artistic concept of blank space in Chinese painting to a great extent.From the modeling beauty directly brought by a certain type of vessel,appropriate setting aside to reflect the texture of the vessel can reflect more aesthetic feeling to a greater extent,so as to develop.
作者
徐晓东
Xu Xiaodong(Jingdezhen Ceramic Art Research Institute,Jingdezhen City,333000)
出处
《陶瓷研究》
2020年第3期109-111,共3页
Ceramic Studies
关键词
陶瓷绘画
画面留白
ceramic painting
picture left blank
