摘要
雍正、乾隆时期是清代漆艺发展的高峰期,遗存实物与见诸档案的漆器基本都是这一时期所制作的。这一阶段的漆器工艺精湛繁复,品种齐备丰富,除造办处所制各类漆器之外,地方官府奉旨成造与官员进贡的数量也十分庞大,其中江西的贡御漆器既有精巧华丽、严谨细腻的时代特征,同时在浓厚的地域文化特质的包裹下也有自身的特点,并在一定程度上影响到宫廷审美与漆艺的发展创新。除了自汉以来深厚的制漆传统之外,具体体现在江西地方官员的身体力行、本土工匠们入宫供职交流以及本土漆文化的渗透与传播。
The period of Yongzheng and Qianlong is the peak for the development of lacquer art in Qing Dynasty.The remaining material objects and archived lacquer ware were all produced during this period.The lacquer ware in this stage is exquisite and complicated in craftsmanship with a complete and rich variety.In addition to various lacquer ware produced by imperial workshops,local governments also produced a lot of lacquer ware as per imperial orders,and some officials paid a lot of lacquer ware as tributes.Among them,the Jiangxi imperial tribute lacquer ware not only has the epochal characteristics of being exquisite,gorgeous,rigorous,and refined,but also possesses its own characteristics under the influence of the strong regional and cultural characteristics.Moreover,such lacquer ware has also influenced the royal court aesthetics and the development and innovation of lacquer art to a certain extent.In addition to the profound lacquering traditions since the Han Dynasty,Jiangxi imperial tribute lacquer ware is also specifically characterized by the earnest practice of Jiangxi local officials,exchanges among craftsmen serving in the imperial palace,and the permeation and communication of local lacquer culture.
出处
《中国生漆》
2020年第2期6-9,共4页
Journal of Chinese Lacquer
基金
江西省社会科学“十二五”规划重点项目《清代以来江西漆器外销研究》阶段性研究,项目编号15YS01。
关键词
江西漆器
造办处
贡御
Jiangxi lacquer ware
imperial workshop
imperial tribute
