摘要
民间小戏是区域文化的组成部分,它积淀了戏剧学、民俗学、社会学等方面的文化内涵。西北民间小戏经明末至晚清趋于成熟,积累了一大批优秀的传统剧目,内容涉及面十分广泛。其中,既有反映英雄传奇的历史戏,也有体现民间信仰的神佛鬼怪戏,以及表现社会人生百态的生活戏。自明清以来,西北民间小戏几百年流传不绝,一个不可忽视的原因就是:它在满足了底层民众精神信仰、教化和娱乐等多种精神需求的同时,还蕴含了作为民间叙事文学特有的审美情趣,以及历史文化等社会意识。故此,从文学叙事、审美情趣切入,亦可认识、把握民间小戏表象背后的自在性及其文学阐释价值。
Folk opera is an integral part of regional culture,which accumulates the cultural connotation of drama,folklore,sociology and so on.From the late Ming Dynasty to the late Qing Dynasty,a large number of excellent traditional operas have been accumulated in northwest folk operas,covering a wide range of contents.Among them,there are not only historical dramas reflecting heroic legends,but also ghost dramas reflecting folk beliefs,as well as life dramas reflecting all kinds of social life.Since the Ming and Qing Dynasties,northwest folk operas have been circulating for hundreds of years.One of the reasons that can not be ignored is that they not only meet the spiritual needs of the people at the bottom,such as spiritual belief,enlightenment and entertainment,but also contain the unique aesthetic taste as folk narrative literature,as well as the social consciousness of historical culture.Therefore,from the perspective of literary narration and aesthetic taste,we can understand and grasp the freedom and literary interpretation value behind the representation of folk operas.
作者
王萍
Wang Ping(College of Arts and history,Lanzhou City University,Lanzhou Gansu 730070,China)
出处
《天水师范学院学报》
2020年第1期116-122,共7页
Journal of Tianshui Normal University
基金
2017年国家社科基金重大项目“丝路审美文化中外互通问题研究”子课题“丝路活态审美文化中外互通问题研究”(17ZDA272)阶段性成果。
关键词
西北民间小戏
文学叙事
陕西
甘肃
northwest folk opera
literary narration
Shaanxi
Gansu
