摘要
传统文化之间所存在的相对层次性,在传统武术文化之中亦有所呈现,展现为社会生存与社会展示的二维向度。运用文献资料法和逻辑分析法等研究方法,探寻在不同社会需要之下,传统武术文化现实形式。从文化分层理论视野出发,将传统武术社会形态之间的差异归结为其社会生存本能,以及社会需要层面的文化层次。两个维度之间的形态转化则是传统武术文化演变逻辑更迭,前者是传统武术技击实体的镜像现实,是社会主体为安身立命所做出的生存选择;后者是传统武术文化社会展示的多维形态,它以传统武术服饰标榜自己的文化认同,即遵循“以礼始终”的传统儒侠风范,又深挈着点到为止的身体伦理哲学,同时还以“授者如父”的伦常来践履传统武术的文化精神传承。在文化层次的依存与嬗变之中,将传统文化形态映衬于传统武术行为的点滴之间,以便窥探传统武术文化形态的现实世界呈现范式,以期为传统武术文化的发展传承有一定的帮助。
The relative hierarchy between traditional cultures is also shown in traditional Wushu culture,which is a two-dimensional dimension of social survival and social display.By means of literature and logical analysis,this paper explores the realistic forms of traditional Wushu culture under different social needs.From the perspective of cultural stratification theory,the differences between the social forms of traditional Wushu are attributed to their social survival instinct and the cultural level of social needs.The morphological transformation between the two dimensions is the logical change of the traditional Wushu culture.The latter is a multi-dimensional form displayed by the society of traditional Wushu culture.It flauses its own cultural identity with traditional Wushu costumes,which is to follow the traditional Confucian and chivalrous style of"always following rites",and deeply carries out the till point body ethic philosophy,while at the same time practicing the cultural spirit inheritance of traditional Wushu with the ethics of"the giver is like the father".In the cultural level of dependence and evolution,the traditional cultural form printed between the traditional Wushu behavior,in order to look into the traditional Wushu cultural form of the real world presentation paradigm,in order to help the development and inheritance of traditional Wushu culture.
作者
张波
Zhang Bo(Chengdu Sports University,Chengdu Sichuan 610041,China)
出处
《武术研究》
2020年第5期49-51,77,共4页
Wushu Studies
关键词
传统武术
文化
形态
traditional Wushu
Culture
form
