摘要
尽管多年以来马来语电影已被标准化为马来西亚国族电影,这样的电影生产与放映生态体现了一种混杂的文化制度,但是,马来西亚创作的中文、泰米尔语电影在近十年的表现也同样值得关注。这些电影作品体现了马来西亚多语言电影创作的独特格局,也在“亲马来”政策话语下标注出特有的不可替代的文化地位。
Although Malay film has been regarded as the national film in Malaysia for many years,there is a mixed cultural system reflected by the film production and screening and thus the performance of Chinese films and Tamil films in Malaysia in the past decade is also worthy of attention.These films reflect the unique pattern of creating multilingual film in Malaysia and the distinctive cultural status that is irreplaceable under the discourse of“Pro-Malay”policy.
作者
王昌松
WANG Changsong(Xiamen University Malaysia,Sepang,Negeri Selangor,Malaysia)
出处
《贵州大学学报（艺术版）》
2020年第3期31-35,共5页
Journal of Guizhou University Art Edition
基金
厦门大学马来西亚分校科研专项资金支持项目(项目编号:XMUMRF/2018-C1/IART/0002)。
