摘要
人工智能近年来对人类生活产生了巨大影响,其效应已蔓延至过往被视为人类专属的创造性领域,如音乐、绘画乃至文学的创作。一些人工智能创作程序甚至能在一定程度上替代人类作者,这几乎可视为又一次“作者之死”。若就此联系1968年“作者之死”的相关代表性论述,透析人工智能与作者乃至主体之关联,可以发现,一方面,注重形式和规范的文学研究范式,在人工智能的时代需要再次审视,另一方面,人工智能的特殊效应也许并非威胁取代人类作者,而是重新激发对于文学、作者以至人之为何的根本思考。
In recent years,artificial intelligence has had a tremendous influence on human life,and its impact has spread to creative fields,such as music,painting and even literature,which were once considered exclusive to human beings.Some artificial intelligence writing programs can even replace human authors to some extent,which can almost be seen as another“death of the author.”Based on the representative writings of“death of the author”in 1968,one can analyze the relationship between artificial intelligence,the author and even the subject.On the one hand,the literary research paradigm focusing on form and norm needs to be re-examined in the era of artificial intelligence;on the other hand,the greatest threatof artificial intelligence may not be to replace human beings,but to reignite the fundamental thinking about what literature,the author and even human beings truly are.
作者
郑鹏
ZHENG Peng(Literature,College of Liberal Arts,Anhui University,Hefei,Anhui,230039)
出处
《安徽大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第3期67-74,共8页
Journal of Anhui University(Philosophy and Social Sciences Edition)
基金
教育部人文社会科学研究青年项目“主体与作者:福柯作者观及其意义研究”(16YJC751041)
国家社科基金一般项目“福柯文学思想研究”(18BWW008)。
关键词
人工智能
作者之死
主体
罗兰·巴特
福柯
artificial intelligence
death of the author
subject
Roland Barthes
Michel Foucault
