摘要
中国国家博物馆藏《大观园图》是目前发现尺幅最大、所绘人物最多的单幅《红楼梦》题材绘画作品。中国国家博物馆于2019年12月20日举办的"隻立千古-《红楼梦》文化展"展出此馆藏画作,使其第一次进入了公众视野,引起社会各界广泛关注。本文首先简要回顾了大观园图像的历史,继而在前人研究的基础上,就《大观园图》的画面内容解读、艺术特色、绘制时间、归属主体、破损原因、原有形制及文物价值等问题进行了讨论,并认为该画是吸收了西洋焦点透视、光影明暗等技法的代表性清末民间绘画佳作,对于研究《红楼梦》在清末王公贵族阶层的流传、接受状态以及西洋绘画对于清代民间画师的绘画观念、技法的冲击影响都具有重要意义。
The Grand View Garden in the National Museum of China collection is so far the largest single painting with the most figures on the theme A Dream of Red Mansions. It is in the exhibition "Through the Ages: A Cultural Exhibition on A Dream in Red Mansions" that this painting meets the public for the first time and attracts extensive attention. This article introduces the history of the Grand View Garden images, and discusses several issues based on previous studies including content interpretation, artistic features, creation time, ownership, damage cause, original form and cultural value. It points out that this painting is a representative of the Qing dynasty folk painting which has absorbed western scenography and chiaroscuro. It has great significance for the study of A Dream of Red Mansions’ spread and acceptance in the Qing nobility, and also contributes to the research of western paintings’ impact on folk painters’ concept and technique in the Qing dynasty.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2020年第4期23-40,共18页
Journal of National Museum of China
关键词
大观园图
红楼梦
焦点透视
民间画师
贴落
The Grand View Garden
A Dream of Red Mansions
scenography
folk painters
paste
