摘要
牡丹在全国各地的广泛种植和它在观念上与洛阳的连接形成了一个有趣的事实。“牡丹”与“洛阳”连接的三个关键点分别为北宋、明清以及20世纪80年代。借用法国当代著名学者德布雷的媒介学理论分析认为,“洛阳牡丹”这个观念的传承,在物质性上离不开宋代以来的诗歌、谱录、书画、雕刻和《醒世恒言》《镜花缘》等明清小说,以及围绕洛阳牡丹花会的公园、文化行为和经济行为等;在组织性上,离不开围绕诗歌、书画的书籍传抄、刊刻、印刷和民间说书艺人的代际传承,以及今天的学校、图书馆等制度性配置。“洛阳牡丹”的传承启发我们,观念的传承不仅依靠物质性基础,还依靠组织性活力,它的背后涉及技术与文化的互动。
The widespread cultivation of peony throughout the country and its conceptual connection with Luoyang has created an interesting fact.The three key points connecting“Peony”and“Luoyang”are the Northern Song Dynasty,the Ming and Qing Dynasties,and the 1980s.On this basis,this article takes the mediology of the famous French scholar Debray as the analytical tool,and believes that the inheritance of the concept of“Luoyang Peony”is materially inseparable from the poetry,catalogue,painting and calligraphy since the Song Dynasty,including Ming and Qing novels such as Xingshihengyan and Jinghuayuan,as well as the parks,cultural behaviors and economic behaviors surrounding the Luoyang Peony Fair;in terms of organization,it is inseparable from copying,publishing,printing and intergenerational transmission of folk storytelling artists of poems,prints and the institutional configuration of today’s schools and libraries.The inheritance of“Luoyang Peony”inspired us that the inheritance of ideas depends not only on the material basis,but also on organizational vitality.It involves the interaction of technology and culture.
作者
段磊磊
DUAN Lei-lei(Institute of Communication Studies, Communication University of China, Beijing 100024, China)
出处
《河南科技大学学报（社会科学版）》
2020年第3期102-107,共6页
Journal of Henan University of Science & Technology(Social science)
关键词
洛阳牡丹
媒介学
物质性
组织性
Luoyang Peony
mediology
materiality
organization
