摘要
雅俗论在宋代诗话批评中首次得到充分地展开 ,其内容具体体现在以下三个层面 :一、高标去俗崇雅 ,将其视为诗作审美的普遍美学原则 ;二、辨分雅俗之别 ,执着于从不同角度对两者本质内涵及其特征展开论评和界定 ;三、倡导以俗为雅 ,探析从内在接通雅俗的必要性及其所内蕴的艺术审美机制。
The theory of elegance and inelegance was first found in Song poetic comments. Its content was embodied in three aspects: first, the theory discarded inelegance and extolled elegance, which was regarded as a general aesthetic principle; second, it distinguished between elegance and inelegance, and defined their essential intention from different perspectives; and third, it advocated linking elegance with inelegance and analyzed their inner connection and aesthetic mechanism. The theory had made a great impact on the poetry and its criticism since the Song Dynasty.
出处
《东疆学刊》
2002年第4期51-57,共7页
Dongjiang Journal
关键词
宋代
雅俗论
诗学
文学评论
Song poetic comments, the theory of elegance and inelegance, discarding inelegance and extolling elegance, difference between elegance and inelegance, linking elegance with inelegance
