摘要
在景颇族民间,有两种具有广泛群众基础的仪仗乐队形式,它们都有成套的曲调、相对稳定的乐队编制和一定的演奏程序。其中一种是以英国苏格兰风笛为主奏乐器,配合以欧洲大军鼓、小军鼓及军镲的纯英国军礼之乐的仪仗乐队。另外一种是从20世纪30年代后期起,在景颇族中出现的以民间乐器“洞巴”(双簧木管乐器)和“松比”(无膜竹笛)为主奏乐器,配合以象脚鼓、铓锣、镲等打击乐器的民间鼓吹乐乐队。两种乐队的编制高度相似且有直接影响。在特殊的历史背景下,欧洲的音乐形式呈跨地域式的传播方式流传到我国边疆地区的少数民族之中。这种传播不但促进了云南边境地区与欧洲音乐文化的交流,也促进了少数民族音乐文化的发展。
There are two kinds of ceremonial troupe in Jingpo community which are widely accepted by the public.They all have established tune,stable constitution of the troupe and specific performance proce?dures.One of these is a pure British military ceremonial troupe performed with Scottish flute,which is ac?companied by European bass drum,snare drum and cymbal.Another emerged after the late 1930s.This is the folk drum-wind troupe,which uses folk musical instruments in Jingpo such as“Dongba”(a double-reed wooden instrument)and“Songbi”(a bamboo flute without film),accompanied by idiophonic instru?ments such as elephant-foot drum,Mang and Gong,and cymbal.These two kinds of troupes are similar to each other in terms of the structure.In the specific historical background,European music disseminated in a transboundary way to the frontier areas with ethnic minorities in China.This dissemination not only promoted the communication between Yunnan frontier areas and European musical culture but also advanced the musi?cal development of ethnic minorities.
出处
《民族艺术研究》
CSSCI
2020年第2期149-157,共9页
Ethnic Art Studies
关键词
景颇族民间仪仗乐队
巴扎
文崩
乐队
来源
folk ceremonial troupe in Jingpo community
Bazha
Wenbeng
troupe
origin
