摘要
数字技术建构起来的电子图像与算法图像打破了世界“原本”与“摹本”的区别与对立,使得镜像、幻象与实存一体化,由此带来了远距临场与沉浸式观看、双向建构与圈层化认知等新的视觉化特征。这些新特征对传统的以“观者主体性”为核心的视觉伦理提出了挑战。这种挑战具化为:数字图像对观者的理性认知能力的挑战、对观者的对象性意识的挑战及对观者的多元文化视角的挑战。数字图像技术时代的视觉伦理建构应该走向基于实践基础之上的可行性能力增强的“主体之善”和与现存多元文化同在同构、交融互动的“结构之善”。
The electronic image and algorithm image constructed by digital technology have broken the opposition and difference between“original”and“copy”in the world,making illusion,mirror image and reality integrated together,which brings new visual features such as telepresence and immersion viewing,two-way construction and circle cognition.These new features challenge the traditional visual ethics with“viewer’s subjectivity”as its core.This challenge is manifested in the following aspects:the challenge of digital images to the rational cognitive ability of the viewer,the challenge to the viewer’s objective consciousness and the challenge to the viewer’s multicultural perspective.The real reason behind these challenges is that digital image technology is more easily controlled by capital logic.The construction of visual ethics in the era of digital image technology should move towards the“goodness of the subject”based on practical feasibility enhancement and the“goodness of the structure”which is isomorphic and interactive with the existing multi-cultures.
作者
邹琨
曾华锋
ZOU Kun;ZENG Hua Feng(College of Arts and Science,National University of Defense Technology,Changsha 410073,China;School of Marxism,Chengdu University of Technology,Chengdu 610059,China)
出处
《科学技术哲学研究》
CSSCI
北大核心
2020年第2期82-87,共6页
Studies in Philosophy of Science and Technology
基金
国家社科基金青年项目“当代西方数字资本主义判理论与数字化生活问题研究”(19CKS006)。
关键词
数字技术
世界图像化
视觉伦理
Digital technology
World visualization
Visual ethics
