摘要
书法者抒发也,在中国书法史上涌现了众多的书法家,其中也包含一些僧人书家,特别在宋代,禅宗得到高度发展,在禅宗思想影响下涌现出的僧人书家大慧宗杲、无准师范、虚堂智愚、兀庵普宁尤其为突出,他们的书法作品表现出了与前朝历代不同的风格特点。这些特点是生命美学的象征和体现。运用生命美学中存在、自由、超越等观点,从书法与个性的关系、僧人与书法的联系、书法与人生的关联三个方面以宋代四位禅僧为例探寻僧人书法中艺术与人生的美学关联。
Calligraphy means expression.Many calligraphers have sprung up in the history of Chinese calligraphy,which also contains some monks.Especially in the Song Dynasty,Zen developed highly and such monks sprung up under the influence the Zen thought as Big Huizong Gao,Shoka,Xutang Zhiyu,Punin in Uighur Temple,whose calligraphy showed different style.These characteristics are the symbol and embodiment of life aesthetics.In this paper,four Buddhist monks in the Song Dynasty were taken as examples to explore the aesthetic relationship between art and life in Buddhist calligraphy from the perspectives of existence,freedom and transcendence in life aesthetics.
作者
李怡君
LI Yijun(College of Audio Language Arts of Sichuan Media and Communications College,Chengdu Sichuan 611745,China)
出处
《四川文理学院学报》
2020年第1期75-80,共6页
Sichuan University of Arts and Science Journal
关键词
宋代僧人
书法审美
生命美学
monks in the Song Dynasty
calligraphy aesthetics
life aesthetics
