摘要
铺首衔环的造型是中国先秦时期的众多造型艺术融合而成,经历了西汉早期的初步发展,到西汉中晚期逐渐趋于成熟、稳定,兴盛于新莽和东汉时期,主要呈现出随意与工整、模版化与创造性、夸张与变形的风格特点。其山字形冠主要是神兽的标饰,而兽面主要为驱鬼镇墓而设,所衔之环可能起着避邪的作用,而其整个造型又体现了汉代时期的丧葬习俗、社会信仰以及审美观念的发展变化。
The shape of the animal face and ring is a fusion of many plastic arts in the pre-Qin period of China.It experienced the initial development in the early Western Han Dynasty and gradually matured and stabilized in the middle and late Western Han Dynasty.It flourished in the XinMang and Eastern Han Dynasty.The animal face and ring has features of both casualty and neatness,modularization and creativity,exaggeration and distortion.Its mountain-shaped crown is mainly the ornament of the beast,and the animal face is mainly designed to exorcise ghosts and protect the tombs.The ring may be used as talisman.The overall shape reflects the funeral customs,social beliefs,and aesthetic perspectives of the Han Dynasty.
作者
杨远
朱畅然
YANG Yuan;ZHU Changran(School of Art and Design,Zhengzhou University of Light Industry,Zhengzhou,Henan 450002,China)
出处
《中州大学学报》
2019年第6期70-76,共7页
Journal of Zhongzhou University
基金
2019年度河南省教育厅人文社科规划项目“汉代传统装饰符号研究——以‘铺首衔环’图案为例”(2019-ZZGH-604)
关键词
汉代
铺首衔环
造型特征
文化内涵
Han Dynasty
animal face and ring
modeling characteristics
cultural connotation
