摘要
在欧洲,收购中国陶瓷者不仅限于华人,他们的目的,品味.眼光和财力各有不同。早年.中国陶瓷热尚未兴起.真精品多现於市.收藏陶瓷这件事儿尚可专注在器物的品相.而不致于只为鉴别真伪劳命伤财。眼下拙劣的膺品四处泛滥.各大有名拍卖行也常看走眼,收藏有历史和艺术价值的海外遗珍变得愈加困难。作为藏友,我和玄松阁主人互相认识和切磋多年.
As a collector,I have been acquainted with owner of Xuansongge for many years.We often learm from each other by exchange views.He is mainly engaged in painting.In China,he joined"New Wave Art"during 1985-1986.Over the past three decades,he invents a new painting architecture in Europe.His artworks have been rcognized by the academic and artistic circes。which are exhibited and collcted by major museums and galleries across Europe.At first,I felt curious about his passion for ceramic collection.Later,I understand that this is related to his experience in studying art in China.
出处
《上海工艺美术》
2019年第4期98-99,共2页
Shanghai Arts & Crafts
