摘要
"亚洲"概念在思想史研究中曾历经数次重构的过程,这种重构本身是对于亚洲主体性的不断发明,而竹内好的"作为方法的亚洲"无疑是其中的重要案例。在这篇访谈中,汪晖教授回顾了亚洲概念的历史沿革与其中的论争,从"主体形成"的角度阐释了"方法"的意义,同时以中国革命的脉络为参照,对于历史中"方法"与主体间关联的复杂与差异化的情形进行了解读,并以电影为例,谈及"方法"在文艺实践中的在场与缺席。
The concept of"Asia"underwent numerous processes of reconfiguration in the study of intellectual history.This reconfiguration itself implies incessant inventions of the subjectivity of Asia among which,Yoshimi Takeuchi’s"Asia as method"is undoubtedly an important case.In this interview,Prof.Wang Hui retrospects the historical evolution and debate around the concept of Asia,and elucidates the significance of"method"from the perspective of the"forming of subjectivity".He also uses the development of the Chinese Revolution as a reference to interpret the complex and differentiated scenarios of the relationship between"method"and subject in history.In addition,with the Chinese cinema as an example,Prof.Wang discusses the presence and absence of"method"in artistic practices.
出处
《电影艺术》
CSSCI
北大核心
2019年第4期3-11,共9页
Film Art
关键词
作为方法的亚洲
竹内好
中国革命
主体
一带一路
十七年
Asia as method
Yoshimi Takeuchi
Chinese Revolution
subject
Belt and Road Initiative
Seventeen Years
