摘要
马王堆汉墓出土的两幅T形帛画,因其独特的造型和新奇的画像,自出土以来就一直吸引着国内外专家学者的目光。对帛画的讨论主要集中在帛画名称、内容和功能等方面,并且已经达成一些普遍性共识。本文以帛画构图方式为切入点,指出帛画中的物象存在着中轴对称和非对称两种构图方式。对称物象构成整幅帛画的框架并将其划分为不同界面,非对称物象填充其内形成对应的场景。前者是程式化的,而后者具有可变性。这种看似冲突的对称与非对称构图是古人有意为之,以达到主次有别的目的。
The two T-shaped silk banners from the Mawangdui Tomb of the Han Dynasty have attracted wide attention from the scholars worldwide with their unique form and composition. The scholars have in general agreed on the name, content and function, etc. so this thesis focuses on their composition of two forms --the symmetrical images along the central axis form the overall frame subdivided into the sections while the asymmetric images in the sections make the corresponding scenes. The patterns present the difference between major and minor details with the seemingly conflicting ways in the works of art.
出处
《故宫博物院院刊》
CSSCI
北大核心
2019年第4期82-91,110,共11页
Palace Museum Journal
关键词
马王堆汉墓
T形帛画
中轴对称
非对称性
界面
场景表现
the Mawangdui Tomb of the Han Dynasty
T-formed silk banner
central axis symmetry
asymmetry
section
scene
