摘要
以舞台剧本《三菩提》作为个案,从人物设定、叙事设定和风格设定三个层面,剖析其对中国传统文化中儒、释、道文化内涵的通俗化诠释及其传播技巧,借以从一个小的侧面,探讨我国传统文化在当代的传播方式与策略。为了文化的有效传播,该剧的文本还运用了现代话语模式,使受众熟悉传播语境,便于理解传播内容。通过对文本的解读,剖析因果并阐释出中国传统文化传播的另一种范式。
Taking the stage script"Three Bodhi"as the case, this paper analyzes its popular interpretation of the cultural connotation of Confucianism, Buddhism and Taoism in Chinese traditional culture and its communication skills from the three aspects of character setting, narrative setting and style setting, and discusses the communication mode and strategy of Chinese traditional culture in the contemporary era from a small perspective. For the effective communication of culture, the text of the play also uses modern discourse mode to familiarize the audience with the communication context and facilitate the understanding of the communication content. Through the interpretation of the text, analyze cause and effect and explain another paradigm of Chinese traditional culture communication.
作者
徐维玮
吉峰
XU Wei-wei;JI Feng(Putian University,Putian,Fujian,351100,China)
出处
《凯里学院学报》
2019年第1期42-50,共9页
Journal of Kaili University
基金
2018年度福建省社科研究基地重大项目研究成果(FJ2018JDZ043)
2017年度福建省科技厅软科学项目(2017R0092)
2018年莆田学院校内科研项目(2018063)研究成果
关键词
《三菩提》
儒释道
文化传播
Three Bodhi
Confucianism,Buddhism and Taoism
Cultural transmission
