摘要
武术运动是历史的遗物,时代的衍生物。它蕴涵着一种内在之美,其表现形式也是暗示的,而音乐则是语言性丰富,抽象意念十分浓厚的表达方式,如果二者很好d地结合,则音乐的旋律带动着武术内在的神韵体现的淋漓尽致,也会很好地演绎武术动作中的内在情感。作为我国优秀武术文化之一的太极拳,这是传统文化气味极浓,其自身又有独特韵味节奏的体育运动,与音乐本身独有的音韵氛围对其进行渲染,能够更好地将太极拳动作节奏节拍表现出来,使其无论是在表演还是竞技比赛等层面上都能让人印象更加深刻,表现出来的成果神韵更加丰满,其艺术性与观赏性等效果一览无余。但如何在不同场景下选择最正确的配乐去配合不同的太极拳使他们更好地融合在一起,是目前武术与音乐之间存在的尚待寻求更完美答案的问题之一。
Wushu sport is the relic of history and the derivative of the Times. It contains an inner beauty, its manifestation is also implied, and music is rich in language, abstract ideas are very strong expression, if the two very good combination, then the melody of music to drive the inner charm of Wushu embodies the incisively and vividly, will also be a good interpretation of the inner feelings of Wushu action. As one of the best Wushu culture in China, this traditional culture has a very strong smell, and its own unique rhythm of sports, and music itself unique to the phonological atmosphere of its rendering, can better the rhythm of Taijiquan action to show that the beat, whether it is in the performance, or competitive competitions on the level can make people more impressive, showing the results of more full charm, its artistic and ornamental effect at a glance. But how to choose the most correct music in different scenes to match the different taijiquan to make them Better Together is one of the problems that the Wushu and music still have to seek a more perfect answer.
作者
梁琦敏
Liang Qimin(Guangzhou Institute of Physical Education, Guangzhou Guangdong 510000,China)
出处
《武术研究》
2019年第3期69-71,共3页
Wushu Studies
