摘要
在科学技术高速发展的今天,人类生命的孕育日渐向技术设计和再创造开放。正是在这一历史语境之下,“后人类”这一长期囿于西方学术研究边缘的概念开始走红。如果说在现实世界中,后人类生命的出现受到科技水平和道德伦理的双重制约的话,好莱坞科幻电影则为我们呈现了一个后人类的狂欢世界。好莱坞科幻电影热衷于从生命伦理的视角关照与反思人类与各种后人类生命之间的纠葛。然而,不同于后人类主义的技术激进主义立场,好莱坞电影更倾向于为人类的道德和自由生命本质进行辩护。
In the rapid development of science and technology today,the birth of human life is increasingly open to the technical design and re-creation.It is in this context that the concept of post-human began to become popular.If in the real world,the emergence of post-human life has dual constraints by the level of technology and moral ethics,then,Hollywood science fiction movies show a carnival of the post-human.As a radar of social collective psychology,Hollywood movies are particularly keen on the perspective of bioethics care and reflection of human and various human life between the disputes.However,unlike post-humanism’s critique of anthropocentrism,Hollywood movies are more inclined to defend human morality in the post-human era.
出处
《文化研究》
CSSCI
2018年第2期154-166,共13页
Cultural Studies
