摘要
康熙年间,第一批到达台湾的游宦诗人在惊异于当地奇花异果的同时,恶劣的气候与在地景观等空间环境让他们对台湾产生了极度的恐惧之感。当他们以俯视的视角审视台湾原住民的外貌特征与文化风俗,在感到文化孤独的同时,更有着轻视的意味。可以说,虽然游宦诗人曾经真正踏足于台湾土地,但是由于观察的范围有限,他们关于台湾的自然书写往往是片面的、笼统的,但是却成为后来者了解台湾的符号。
During Kangxi years,the first official poets are astonished at the local exotic flowers,while the harsh climate in Taiwan produces in them a sense of fear.When they see Taiwan Residents aborigines and cultural customs,they feel more disdainful with cultural loneliness.It can be said that although they have really set foot on the land of Taiwan,because of the limited scope of observation,their natural writing about Taiwan is often one-sided,however,it has become symbols for latecomers to understand Taiwan.
作者
翟勇
ZHAI Yong(College of Arts,Quanzhou Normal University,Quanzhou Fujian 362000,China)
出处
《太原理工大学学报（社会科学版）》
2017年第6期91-96,共6页
Journal of Taiyuan University of Technology(Social Science Edition)
基金
国家社会科学基金青年项目"万历至康熙年间闽台诗学嬗变研究(15CZW028)
2016年福建省高校杰出青年科研人才培育计划"新变与趋同:晚明清初闽台诗歌风貌研究"
关键词
康熙年间
游宦诗人
印象台湾
during Kangxi years
official poets
the impression on Taiwan
