摘要
本文以"存在"作为根本视域,分析了马克思和海德格尔对美和艺术思考的根本差异。对于马克思而言,只有通过感性生产生活,人的感觉才能获得完全的自由和美,然而在海德格尔看来,美是真理自行设入作品,艺术为历史奠基。正是基于存在论的本体论区分,海德格尔批判了马克思的人类学和生产实践论。思考二者对美和艺术思考的根本差异,有助于我们在现时代获得对艺术和生存的思考。
The paper compares the basic different thought of art and aesthetics between Marx and Heidegger,in the essential horizon of'Being'.Basing on the ontological difference,Heidegger criticized the anthropology and production theory of Marx.For Marx,only through human-sensuous existence and activities,sense of man can be complete freedom and aesthetic.While for Heidegger,the truth sets itself into a work of art,and art is history in the essential sense that it grounds history.We can think the relation between art and existence in the modern age,by virtue of the comparative study on the thought of art of Marx and Heidegger.
出处
《马克思主义美学研究》
CSSCI
2009年第1期215-227,共13页
Research on Marxist Aesthetics
关键词
存在
实践
美
Being
practice
aesthetics
