摘要
以《西游记》为原型改编的电影层出不穷。作为时代的集中反映,电影改编的程度与角度反衬出文化变迁的样式。作为《西游记》的主角,孙悟空被挖掘出的品性在人性、魔性与神性之间游离。在文本创作层面,颠覆式与取材式改编共存,逐渐远离对原著的忠诚。同时,特效技术将电影进一步奇观化,蚕食着以蒙太奇理论为主导的传统故事片版图。就整体来看,近年西游题材电影改编所呈现出来的整体样式是分裂的与反传统的。
The films adapted from Journey to the West emerge in an endless stream. As aconcentrated reflection of the times,the degree and angle of adaptation reflect the style of cultural change. As the leading role of Journey to the West,Sun Wukongs character is dissociated from human nature,devil nature and divinity. At the level of text creation,subversive and material adaptations coexist,gradually drifting away from loyalty to the original. Meanwhile,VFX makes movies more spectacular,encroaching on the traditional story films dominated by montage theory. On the whole,the overall style presented in the adaptation is split and anti-traditional.
作者
徐振东
XU Zhendong(School of Art and Design,Zhejiang University of Science and Technology,Hangzhou 310023,Zhejiang,China)
出处
《浙江科技学院学报》
CAS
2018年第4期317-321,共5页
Journal of Zhejiang University of Science and Technology
关键词
改编电影
西游记
孙悟空
奇观电影
VFX
改编
故事片
film adaptation
Journey to the West
Sun Wukong
spectacle film
VFX
adaptation
feature film
