摘要
目的探索以宝相花为例的中国传统纹样的抽象化衍生思路,以实现传统装饰纹样的传承与创新。方法通过对文献资料的研究,揭示其发展脉络和构图特征规律,结合现代视觉元素的抽象化图形的创新方法,对提取的基本图形进行抽象化衍生实验。结论传统纹样大多是以物像的具象化而产生,现代抽象图形则是对物象的创新和夸张的表达,两者者的结合不仅可以赋予现代抽象图形文化内涵,还可以实现传统文化的传承与创新。
It aims to explore the traditional Chinese pattern of abstracts derived from Baoxiang flower, so as to realize the inheritance and innovation of traditional decorative patterns. Based on the study of literatures, the development of the literature and the characteristics of the composition of the abstract, combined with modern visual elements of the abstract graphics of the innovative method, the extraction of the basic graphics abstract derived experiments. The traditional pat- tern is mostly produced by the concrete image of the object, the modern abstract graphics is for the image of the innova- tion and exaggeration of the expression, the combination of the two can not only give modern cultural connotation of ab- stract graphics, but also can achieve the traditional cultural heritage and Innovation.
作者
李炫炅
杨晓燕
季冈
李雪芹
LI Xuan-gui, YANG Xiao-yan, JI Gang, LI Xue-qin(College of Art and Design, Shanxi University of Science ＆ Technology, Xi＇an 710021, Chin)
出处
《包装工程》
CAS
北大核心
2018年第6期105-108,共4页
Packaging Engineering
基金
教育部人文社科项目(12YJCZH248)
关键词
传统纹样
宝相花
抽象图形
衍生设计
traditional pattern
Baoxiang flower
abstract graphics
derivative design
