摘要
唐诗中追忆本朝史事时共享几种固定的体制特征与言说方式,本文聚焦于记忆在文本空间里的兴起轨迹与呈现样貌,裒集唐诗文献,勾勒出两种普遍使用的书写模式:一是以老者转述追忆形式回溯往昔,二是借观看历史遗迹访问过去。前者立足于一定的社会文化现实,写作题材及目的决定了记忆在诗体空间里的运作规则;后者以"华清宫"作品群为代表,诗题、诗中文化符号以及对客观景物的描摹都在记忆实践中起到重要作用。抉发书写记忆的隐秘图景,旨在呈现文本书写的更多面向,为文学、历史两种取向观照下的记忆研究提供一条新的探索路径。
Several common stylistic characteristics and narrative modes,could be found in Tang pomes.Intensively digging into poetic works of Tang,the present paper delineates two general narrative modes in the perspective of the awakening and representation of memory in the textual realm.First,the poets quoted old men to speak of their remembrance of the past.Second,the poets recalled the past when visiting historical sites.The second mode was embodied in the Huaqing Palace-themed works,wherein the titles,cultural symbols and depictions of landscape played quite a significant role in the representation of memory.The present paper attempts to illuminate the profundity and multifacetedness of memory,as well as applying a combined,novel approach whereby the memory could be historico-literarily explored.
出处
《史林》
CSSCI
北大核心
2018年第1期66-74,219,共9页
Historical Review
