摘要
近年来,艺术家以一种温和、渐进的姿态介入到中国乡村建设中,开启乡村复兴之路。"青田范式"是当代中国艺术介入乡村的缩影,并且人类学为其研究开辟了全新路径。文章从人类学视角,梳理了艺术介入乡村建设的历程,在回顾国内外著名艺术乡建案例的基础上,重点对人类学与艺术乡建的相互关系进行了探讨,进而以"青田范式"为例,对艺术如何介入乡村建设提出了新的思考和展望。
In recent years, artists have stepped into Chinese rural construction in a gentle and gradualmanner, and opened up the door of rural revival. The author took part in the rural rehabilitation project ofQingtian village in Shunde city, Guangdong Province, and considers that the“Qingtian Paradigm”is a microcosm of the involvement of contemporary art in Chinese countryside. Anthropology has opened up a new pathfor the study of contemporary art engaging rural construction. This paper reviews the history of village con原struction with art from the perspective of anthropology. Based on the retrospection of domestic and foreignwell-known cases, the author mainly discusses the relationships between anthropology and the art of ruralconstruction. Then the paper takes “Qingtian paradigm”for example, and puts forward introspection and expectation on how to get involved in rural construction with art.
出处
《民族艺林》
2017年第4期5-13,共9页
Journal of Ethnic Art
基金
广东省佛山市顺德区"杏坛镇青田村落群保护开发概念性规划设计及旅游开发服务项目"(项目编号:GZJCZB2016-027)阶段性成果
中央民族大学团队建设项目"艺术人类学理论与方法建设"(项目编号:2015MDTD26C)阶段性成果
关键词
艺术
乡村建设
人类学
青田范式
art practices engagement
rural construction
anthropology
Qingtian Paradigm
