摘要
社群是戏曲人类学的探究对象之一,与仪式、剧场相互作用,承载着心理共同体、精神共同体和记忆共同体。地方戏因地缘和方言因素在地理和人文上形成特定的社群,一方面经由舞台表演仪式传达出艺人、传承人、演员的心理共同体;另一方面依托聚会、庙会、盛会等社会活动空间凝聚着票友、戏迷、看客的精神共同体。以田野作业为研究方法,以开封二夹弦为研究范例,进一步探讨非物质文化遗产保护视野下作为记忆共同体社群的实践意义。
The community is one of the object of drama anthropology, which is interacted with ceremony, theater, bearing the psychological spirit and memory community. Due to geopolitical factors and dialect, the local opera dialect formed a particular community. On the one hand, the artists, heritage, actor＇s psychological community is conveyed by performance ceremony on the stage; On the other hand, the spirit of the community of the he amateur, fans is relied on the party, the temple fair, festival and other social activities. As the research method of the field work, and the Kaifeng Two - Clip-Strings as the research sample, we explore the practical significance of memory community in the perspec-tive of non-material cultural heritage protection.
出处
《汉江师范学院学报》
2017年第1期33-38,共6页
Journal of Hanjiang Normal University
关键词
社群
戏曲人类学
开封二夹弦
记忆共同体
community
Drama Anthropology
Kaifeng Two -Clip-Strings
community of memory
