摘要
刘震云是一位从乡土文化中走出来的作家,面对1990年代以来中国社会的转型,他将现实主义、现代主义以及后现代主义等多种叙事方式进行杂糅,创作了《故乡面和花朵》这部现代大寓言文本。以梦展现了后现代乡土历史虚无观、魑魅魍魉的后现代乡土文化以及对真情的真实呼唤,对乡土中国社会政治文化方面进行"窥探",实现了对中国后现代乡土文化的反思。
Liu Zhenyun is a representative writer of local literature. In the face of the transformation of Chinese society in the 1990s, he combines realism, modernism and post-modernism and other kinds of narrative methods and creates ＂Gu xiang mia he hua duo＂, a great modern allegory, in which the writer shows the postmodern local historical nihilistic views, demons and monsters of the postmodern local culture as well as the calling for true feelings in the form of dreams, tries to send a glance at the politics and culture in the post- modernism vernacular China society and makes a full reflection to the postmodern local culture in China.
作者
陈志刚
Chen zhi-gang(Zhangjiakou University, Zhangjiakou, Hebei, 07500)
出处
《理论观察》
2017年第9期171-173,共3页
Theoretic Observation
关键词
故乡面和花朵
后现代主义
乡土文学
＂Gu xiang mian he hua duo＂
Postmodemism
Local literature
