摘要
通过整合散见于保罗·维利里奥各著作中关于电影的论述,本文将对他的电影论述给予一个综合性的图绘,并揭示其内在逻辑。维利里奥的电影论述建立在其自身的"竞速学"思想背景之上,他指出,电影是一种速度的"义肢",拟构出一种儿童独有的知觉经验,并使其得以在成人身上复现。在此语境下,一种与现代艺术和媒体相关的新美学浮现出来,这被维利里奥称为"消失的美学"。新的美学全方位地改变了现代社会的知觉体验,最典型的演绎即呈现于现代战场之上,维利里奥又将其命名为"知觉后勤学"。
By integrating scatted discussions of Paul Virilio, this paper will give a comprehensive mapping of his thought on cinema and reveal its inner logic. Virilio ＇ s discussions on cinema are based on his ＂Dromology＂ theory. He points out that cinema is a kind of Prosthesis of Speed. It mimics an experience of perception which is peculiar to children, and has made it reborn in the adults. In this context, a new aesthetics related to modern art and media has emerged, which is named ＂Aesthetics of Disappearance＂ by Virilio. This new aesthetics has reshaped the perception in modern society in all dimensions, the typical performance of which has been presented in the battlefield. It has been named by Virilio as ＂Logistics of Perception＂.
作者
郑兴
Zheng Xing(the School of Humanities, Tongji University , Language and Literature Department, Vrije Universiteit Brusse)
出处
《文艺理论研究》
CSSCI
北大核心
2017年第5期201-208,共8页
Theoretical Studies in Literature and Art
关键词
维利里奥
电影
消失的美学
知觉后勤学
Virilio
cinema
aesthetics of disappearance
logistics of perception
