摘要
曾在远古意识形态中心体现威怒的天钺,在从西周到先秦的理性演进中,有了三个方面的演进,一方面演化为璧-琮-圭,成为天子的象征符号。另方面演化为方相氏,是宫廷和民间的驱鬼之傩。再方面演进为舞乐中的万舞-禹步-夔乐。天钺在消失的过程中,散渗进了文化的诸多方面,构成了中国文化的诸种特色。
Tian - Yue （ a large ax symbolizing the king5 s military force） which presented power and prestige oancient ideology of China had experienced changes in three aspects from the West Zhou dynasty to the pre - Qin period ; on theone hand,the large ax had changed into three typical jade articles （ Bi - Cong - Gui） symbolizing the emperor,and on theother hand it had changed first into Fangxiangshi God that expelled ghosts, and then the typical ded with the local community, the palace or the religious beliefs. Te transformation of Tian - Yuemirrors many typical aspects ofChinese culture.
出处
《云南大学学报（社会科学版）》
北大核心
2017年第5期74-85,共12页
The Journal of Yunnan University:Social Sciences Edition
关键词
天钺
璧-琮-圭
傩-方相氏-方良
万舞-禹步-夔
Tian - Yue （ a large ax symbolizing the king5 s military forcc）
three typical lade articles （ symbolizing the emperor
Gods/Ghosts of Nou - Fangxiangshi - Fangliang
typical dances or performances as sociated with thelocal community,the palace or the religious beliefs
