摘要
在中国,"汤"、"莎"比较不单是一个比较文学学术命题,而且是一个重要的现实文化命题。从"泛比较"层面上看,"汤"、"莎"比较在中国自20世纪初期就已经萌芽。20世纪中期,伴随着比较文学学科方法在中国的拓展和中西戏剧比较研究的深入,"汤"、"莎"比较正式进入学理层面,成为专门的学术论题。20世纪80年代以后,"汤"、"莎"比较研究真正兴起,并在深度与广度上有新的拓展,在比较方法上也开始从"平行比较"向"间性比较"转型。
In China, the comparison between Tang Xianzu and Shakespeare is not only an academic topic on comparative literature, but also an important realistic cultural topic. The comparison between Tang Xianzu and Shakespeare appeared in the early twentieth Century from the aspect of pan-comparison. And until the middle of the twentieth Century, the comparison entered the academic field and became a special academic topic with the development of comparative literature in China and the comparative study of Chinese and Western drama. Since 1980s, the study on the comparison between Tang Xianzu and Shakespeare has really drew the attention in the academic field and had new development in depth and breadth while we transform it from parallel comparison to inter-comparison in comparative method.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2017年第4期45-56,共12页
Drama:The Journal of the Central Academy of Drama
关键词
汤显祖
莎士比亚
比较
历史
路向
Tang Xianzu, Shakespeare, Comparison, History, Direction
