摘要
近代中国,国外列强的入侵,外来鸦片的毒害,使"东亚病夫"成为中华民族积弱屈辱的形象标志。奥运赛场上"零"的记录,一直是中华民族难以释怀的耻辱。为此,时任南开大学校长的张伯苓先生提出中国奥林匹克的"三大梦想",为中国奥林匹克运动设计了清晰可见的奋斗目标。在追逐奥林匹克梦想的征途中,中华民族历经曲折,为实现中华民族伟大复兴书写了光辉灿烂的篇章。在中华民族奥运圆梦的历程中,曾出现一批中国奥林匹克题材的电影和纪录片,这些影像记录了中国的奥运历史记忆,承载着中华民族践行奥林匹克精神的影像记忆与文化符号。从这些影像中,我们可以找到中国奥运历史记忆与民族形象变迁的符号特征,及中国奥运影像对民族形象集体记忆建构的意义,从而全面解读中国奥林匹克记忆中民族精神与体育精神的影像表达方式。
In modern China, as a result of the invasion of foreign powers and the harms of foreign opium, the Chinese people were stigmatized as the ＂sick man of East Asia＂. The ＂zero＂ record at the Olympics Games has been an unforgettable shame to the Chinese nation. Therefore, Mr. Zhang Boling, the then president of Nankai University, proposed ＂three dreams＂ for Chinese Olympics and set clear goals for it. On the journey of pursuing the Olympic dreams, the Chinese nation has undergone twists and turns but changed its image from the ＂ sick man of East Asia＂ to the ＂ Oriental Giant＂ to ＂ an im- portant participant in all sports events in the world＂. The achievements made by the Chinese sports have written a brilliant chapter for the great rejuvenation of the Chinese nation. In fulfilling the Olympic dreams of the Chinese nation, some movies and documentaries have been made to record the Chinese Olympics. These visuals have become a cultural symbol that retain memories of how the Chinese people have pursued their sports dreams in the Olympic spirit. By studying these visuals, we can discover the symbolic features of the Chinese Olympic memory and the changes of the Chinese national image, re- veal the significance of the Chinese Olympic visuals for the collective memory construction of the Chi- nese national image and comprehensively interpret the image expression of the national spirit and the sports spirit in the Olympic memory.
出处
《思想战线》
CSSCI
北大核心
2017年第4期163-172,共10页
Thinking
