摘要
法国哲学家吉尔·德勒兹对艺术史与艺术理论的贡献，既集中体现在其对英国画家弗兰西斯·培根的个案研究，与对17世纪巴洛克艺术的“褶子”化描述，同时，也在一个更为广阔的理论视域内，影响并启发了当代艺术理论的后继工作，“关系美学”即是其中代表。通过对“关系美学”理论观点的研究，将其与德勒兹、加塔里的思想构成连接，一方面，可以对德勒兹以及国内研究相对缺乏的加塔里哲学进行较为全面的解读，另一方面，也借助对于德勒兹核心概念“身体”的延伸，及其与空间的动态关系，尝试对当代艺术的理论内涵、文化意义展开更为深入的思考。
French philosopher Gilles Deleuze＇s contribution to art history and art theory is reflected not only in his case study of the English painter Francis Bacon, but also in his description of the ＂folds＂ of the 17th century Baroque art. At the same time, in a broader theoretical perspective, he influences and inspires the follow-up work of contemporary art theories, ＂ Relational Aesthetics＂ is one of the representatives. Based on the research of the theory of ＂Relational Aesthetics＂, and connecting it to Deleuze and Gattari＇s thoughts, on one hand, it is possible to make a further study and gain a more comprehensive interpretation of Deleuze and the relative lack of domestic research of Gattari＇s philosophical theory. On the other hand, by extendingDeleuze＇s core concept： the body and its relationship with space, we can try to develop a deeper thinking of the theoretical connotation and cultural mean-ing of contemporary art.
出处
《文化研究》
CSSCI
2017年第1期201-212,共12页
Cultural Studies
