摘要
在我国古代青铜艺术最后一个闪光点秦汉时代,青铜器制造由青铜时代的礼乐兵器转变成为以日常生活用器为主。从生态建构方面来看,这些内容极其丰富的青铜日常生活用器尽管具体形制不一,但它们与当时的青铜艺术珍品汉彩绘雁鱼铜灯一样,本质上都遵循顺应自然、尊崇自然的构建体式,表现了那一特殊时期人们朴素的生态追求与无穷的创造性智慧。
In Qin - Han dynasty, the last prosperous time of ancient Chinese bronze art, the focus of bronze manufacture changed from ritual, musical in- struments and weapons to daily living equipments. Though those bronze daily living equipments are very different in shapes and sizes, they, among which the painted goose -fish shaped lamp is a perfect example, have the same essence of according to and showing reverence to the nature, which represents the simple ecological pursuit and boundless intelligence of the people in that special era.
出处
《自然辩证法研究》
CSSCI
北大核心
2017年第6期57-62,共6页
Studies in Dialectics of Nature
基金
教育部哲学社会科学重大课题攻关项目"马克思主义学习型政党建设研究"(11JZD001)
关键词
秦汉时期
青铜日常生活用器
生态构建
彩绘雁鱼铜灯
Qin- Hart dynasty
bronze daily living equipments
ecological construction
painted goose- fish shaped bronze lamp
