摘要
"建筑构图"理论起源于巴黎美术学院,随着美院教育在世界范围内的广泛传播,该理论深刻影响了20世纪的中国建筑教育,其建构的设计方法和美学标准延续至今。通过梳理"构图"在中国的发展历程,从最初效仿西方模式到融入中国本土文化,从"风格"主导到与现代建筑设计方法相结合,展现了这一理论在不同社会政治文化背景下根植于中国建筑教育的适应性变革。
The theory of composition stemmed from the Ecole des Beaux-Arts, and dominated China＇s architectural education in the 20th century. It maintains a long-term influence on the design methodology and aesthetical criterion till now. This paper outlines the development phases of composition in China, from imitation of the Western mode to adaptation to Chinese local conditions, from style-orientated aesthetics to coordination with modern design methodology, in order to reveal its indigenization in correlation with the social and political changes.
出处
《新建筑》
2017年第2期110-113,共4页
New Architecture
关键词
构图
布扎
建筑教育
中国化
composition, Beaux-Arts, architectural education, indigenization
