摘要
美学起源于人类对绝对自由之自觉,美作为存在方式意味着绝对自由的感性显现。神教美学的建构基于系统神学与纯粹美学之存在论对话,神教的终极关怀是实现神人关系的正常化亦即人的本真存在方式,这与美作为绝待性存在具有本质的同一性。对神圣存在的觉悟和归正意味着神教对绝对自由之自觉以及神教美学之纯粹性,并使美的神圣性得以彻底彰显。本文以系统神学为基础,分别从上帝观、罪恶观、培灵观和称义观四个维度与纯粹美学之本真论、在世论、还原论与境界论进行比较研究,呈现并描述神教美学关于本真存在、人生在世、审美还原和终极境界之内在构成及其基本信念与审美理想。
Aesthetics arises from the absolute conscientiousness of freedom; and beauty, as the way of being, means per- ceptual manifestation of absolute freedom. The aesthetics of the religion of the God was constructed on the basis of the exis tentialist dialogue between systematic theology and absolute aesthetics. The ultimate concern of the religion of the God is the normalization of realizing the God-man relationship, that is, the essential way of being, which has an essential identity with absolute being. The awareness of holy being and His reform means the conscientiousness of absolute freedom, the pureness of the aesthetics of the God religion, and the absolute manifestation of the holiness of beauty. This paper, based on the sys- tematic theology, carries out a set of comparisons to show and describe the internal constitution, the basic belief and aesthet- ic ideal of real being, human world, aesthetic reduction, and ultimate realm.
出处
《北京师范大学学报（社会科学版）》
CSSCI
北大核心
2017年第2期132-139,共8页
Journal of Beijing Normal University(Social Sciences)
关键词
终极实在
神教美学
有机构成
ultimate reality
aesthetics of the God religion
organic constitution
