摘要
诗歌的声律元素主要包括押韵、句长、句数和节奏等。统计"仓央嘉措情歌"各篇目中这些元素的数量和比例,可发现它们的重要性是不同的,由此可得到按重要性排列的声律特征层级。将之与汉语诗歌的声律层级进行比较,可知"仓央嘉措情歌"以节奏为核心声律特征,汉语诗歌以押韵为核心声律特征。这种差异与各自的文化背景和诗歌功能有关:以"仓央嘉措情歌"为代表的藏族谐体民歌与舞蹈关系紧密,而汉语诗歌与吟诵密不可分。这最终决定了诗歌的不同声律形态。
The prosodic features of poetry include rhymes, sentence length, sentence number, cadence and so on. A survey of the number and percentage of these elements in The Love Songs of Tsangyang Gyatso reveals that they are of different importance and a rank of prosodic features can be established according to the importance. Compared with the prosodic rank of Chinese poetry, whose core prosodic feature is the use of rhymes,the core prosodic feature of The Love Songs of Tsangyang Gyatso is the use of cadence. This difference is caused by the different euhural backgrounds and the different functions of poetry. The Tibetan folk songs, represented by The Love Songs of Tsangyang Gyatso, are inseparable from dances, while Chinese traditional poetry is closely related to singing or melodic reading.
出处
《河北北方学院学报（社会科学版）》
2016年第6期83-87,共5页
Journal of Hebei North University：Social Science Edition
基金
河北省高等学校人文社会科学研究项目(SY14117)
关键词
仓央嘉措情歌
汉语诗
声律特征
The Love Songs of Tsangyang Gyatso
prosodic feature
Chinese traditional poetry
comparison between Tibetan and Chinese poetry
