摘要
西方重复美学思想,在功能和意义上体现了从古典时期到后现代以来对存在问题的思考和解决。柏拉图将宇宙论时期"相同物的重现"主题演绎为世界二重化的设定,凭借理念论的同一性重复原则,用模仿物总是"落后于"原型的等级制,把人与世界作为彼此外在的存在。随着近代哲学美学的认识转向,克尔凯郭尔的重复思想和尼采的永恒轮回学说主张人的生存性存在;后现代时期,德勒兹、本雅明以及波德里亚对原型与拷贝物关系的批判性解读,意味着从本体论、认识论角度对古典存在论进行批判性重建。目前,如何重建美学本体论,克服虚无主义,成为学界亟待解决的问题。
Western repetition aesthetic thought represents the thinking and resolution of the problems of Beings since the classical period and the post-modern age from the perspectives of function and significance.Plato,in cosmology period,deduced the theme of＂the reappearance of same thing＂to the setting of double world,he separated people from the world by using the principle of Identity Repetition in Idealism and the hierarchy of making imitation beings behind the model.With the turning of modern philosophy and aesthetics,Kierkegaard＇s Repetition Thoughts and Nietzsche＇s Eternal Recurrence Theory claimed the real existence of people.In post-modern time,Deleuze,Benjamin and Baudrillard critically interpreted the relationship between model and copied objects,criticized and reconstructed the classical ontology from the viewpoints of ontology and epistemology.Nowadays,how to reconstruct aesthetics ontology and overcome nihilism has become an urgent problem in academy.
出处
《中北大学学报（社会科学版）》
2017年第1期30-36,共7页
Journal of North University of China：Social Science Edition
关键词
西方重复美学
存在
本体论
生存论本体论
虚无主义
western repetition aesthetics
beings
ontology
survival theory of ontology
nihilism
