摘要
图像是人类认知的手段,是信息传播的文本,也是社会记录的地图。从古至今图像承载了人们太多的期待,形成了一种带有文化习俗和精神图式的视觉传说,图像在现实与真实之间,图像在真实与期待之中被反复讨论,按需索取。图像的罪与罚好像是谁都可以评判的,图像对社会的影响赞美和指摘共鸣,恐慌和享用一体。图像的功能打破了契约,任由媒体的回声响应,媒体图像的一次次表演让人们越来越远离现实、远离真实、远离图像、远离视觉中的图像。
The image is a way of human recognition, a text of information communication, and a map of social records. From ancient times to nowadays, the image has been loaded with human expectation. Between the real and the true, between the true and the expected, it has been repeated discussed and required when needed. It seems that the fault and the punishment of the image could be judged by anyone. And its impact on and praise of the society along with its criticism to the society have all combined together. People have been frightened by the image while they have enjoyed its usefulness. The function of the image breaks the social contact and responds randomly to the media. All the performances of the media image separate people further and further from the real, the true, the image, and the image of the visual legend.
出处
《艺术百家》
CSSCI
北大核心
2016年第4期179-183,共5页
Hundred Schools In Arts
基金
2014年度国家社科基金重大项目"多卷本‘中国新闻传播技术史’"(项目编号:14ZDB129)阶段性成果之一
关键词
造型艺术
视觉传说
图像
期待
影响说
功能说
Visual Legend
Image
Expectation
Influence
Theory
Function Theory
