摘要
《金瓶梅》的文本接受是"金学"研究的重要组成部分。文章从接受美学的角度,分析《金瓶梅》问世后至鲁迅《中国小说史略》排印前,袁宏道、袁中道诸人对于《金瓶梅》的接受情况。这段时间,读者对《金瓶梅》的接受,主要体现在:对作者的各种推测,对小说文本的称赞或毁谤,对小说的批评与棒杀等。自《金瓶梅》出版后,对其文本一直存在着赞扬和贬斥两种倾向,褒之者认为该书是一部伟大的现实主义世情小说,毁之者则以"淫书"目之。但《金瓶梅》却没有因被贬抑而堙没,而是一直流传不衰,自20世纪初开始形成一门显学。
The acceptance of T h e G o l d e n L o t u s is one of the major focuses of studies in the academy. From the perspective of aesthetic acceptance, we studied Yuan Hongdao, Yuan Zhongdao and other peo-ple 5 s acceptance of T h e Go l d e n L o t u s before Lu Xun 5 s B r i e f H i s t o r y o f C h i n e s e F i c t i o n was published in 1924, which were mainly about the following a spe c ts： various speculation of the author, strong and sin-cere compliments or slander, and criticisms. Since its publication, T h e G o l d e n L o t u s has received both compliments for being a great realistic novel and criticism for being pornographic, however, it is certain that The Gol den Lot us triggered a significant study in the 20th century.
出处
《河南理工大学学报（社会科学版）》
2016年第3期340-347,共8页
Journal of Henan Polytechnic University:Social Sciences
基金
天津市社会科学研究项目(TJZW13-006)
天津市教育厅项目(20132222)
关键词
金瓶梅
金学
审美接受
The Go l d e n L o t u s
studies on T h e G o l d e n L o t u s
aesthetic accep tan ce
a matter of opinion
