摘要
红山文化发现了众多的人形塑像,其大、小不同,人物造型也有不同的变化,参照相关红山文化分期成果并依据人形塑像的发展演变,可以将其分为四期:一期没有形成固定的特征,有人面、有坐像;到二、三期开始形成固定性的特征,以"丰乳""肥臀"为主要造型特点,人形塑像的大小不同;晚期以小型塑像为主。关于人形塑像的内涵,大型人形塑像应该是部落或者部落联盟共同祭祀的祖先神,而小型人像是供氏族、个体家庭或者个人崇奉祭祀的祖先神。而且,在红山文化二、三期期间,开始形成部落或者部落联盟共同祭祀祖先神的礼仪活动。
Numerous humanoid statues which had the large and small different characters with different changes were found in the Hongshan culture.According to the Hongshan culture stage research results of archaeological scholars and the evolution of humanoid statue,human statues could be divided into four stages：the first stage with no fixed characteristics of human face,seated;the second or third with fixed characteristics which had big＂breast＂and＂buttock＂as the main shape characteristics;the late stage with small statues as the main.According to the connotation of humanoid statue,we believed that the large humanoid statue should be the common ancestor god worship of tribe or tribal alliance,while the small figures should be ancestor god worship for the clan,family or individual worship.Moreover,the tribes or tribal ritual for worshiping ancestors began to form during the second or third stage of the Hongshan culture.
出处
《辽宁师范大学学报（社会科学版）》
2016年第2期140-144,共5页
Journal of Liaoning Normal University(Social Science Edition)
基金
河南省青年骨干教师资助计划项目(2013GGJS-113)
关键词
红山文化
人形塑像
分期
艺术特征
内涵
Hongshan Culture
humanoid statue
stages
artistic characteristics
connotation
