摘要
在中国电影发展史上,总有一些特殊的年份因其影业在技术体系、艺术形式、美学品格、运转机制上呈现出来的转变与超越而被后人书写、铭记,"电影史的1956"即是如此。自1949年两岸分治以来,三地电影业呈现出个别经营、独自发展的特异格局与历史奇观,但在1956年这一时代节点却同时迎来了影业的转机与初兴。所谓转机,是指三地电影业摆脱了分治七年来的困惑、停滞、整顿的局势,迎来改革、重构、立新的曙光;所谓初兴,即是说整个中国影业在影片的创作产量与艺术质量、题材类型与风格样式、文化自省与市场拓展上都达到了自立与成长中的新纬度。
Chinese films had an extraordinary history. In 1956,Chinese films,which consist of mainland film,Hong Kong film and Taiwan film had a good performance. And this achievement has not been much easy to get since the year 1949 when China was divided. In this year,the development of the film could be analyzed in the following two aspects. On one hand,all the Chinese films had a fast expansion without much stagnation; On the other hand,the film in this period had obtained huge success in terms of arts,industries and aesthetics.
出处
《重庆邮电大学学报（社会科学版）》
北大核心
2016年第1期123-127,136,共6页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
国家社会科学基金艺术学重点项目:<中国电影编年史研究>(1905-2014)(14AC003)
关键词
“1956”
电影业
转机与初兴
意识形态
创作多元
文化同构
1956
movie industry
turn and incipient
ideological
diversity of creation
homogeneousness of culture
